Centaur-Musicians in Classical Iconography

Bibliographic Data

ID11866732
AuthorsMaría Isabel Rodríguez López (0000-0002-6671-8213, Universidad Complutense de Madrid, corresponding author), Claudina Romero Mayorga (0000-0001-8664-2650, Universidad Complutense de Madrid)
Year2018
Volume6
Issue1
Pages26-50
Publication date2018-03-22
Open AccessNo
TypeARTICLE
VenueGreek and Roman Musical Studies (JOURNAL)
Journal identifiersISSN: 2212-974X • E-ISSN: 2212-9758
PublisherBrill (PUBLISHER • NL)
DOI10.1163/22129758-12341310
OpenAlexW2897450297
LanguageEN
Citations received1
References cited11

Centaurs, hybrid mythical beings, were associated with barbarism in antiquity, due to the fact that the widely disseminated iconography of the Centauromachy portrayed them as violent creatures against the Lapiths, creating an opposition between man/beast, order/chaos. However, the role of the divine centaur Chiron as Achilles’ teacher offered another vision of these beings, especially in connection with music. This paper proposes a new interpretation of the iconographic evolution of the centaurs in association with music: as part of the heroes’ education, the Dionysian and Marine thiasos and their presence in funerary art. A progressively humanised representation of these creatures might be explained by the role of music as a civilising influence, enabling their elevation to a higher spiritual level and as a way to obtain immortality

Aesthetics · Archaeology · Art · Art history · Centaur · Creatures · HERO · Iconography · Immortality · Literature · Mythology · Natural (archaeology · Representation (politics · Classical Antiquity Studies · Classics · Historical and Literary Analyses · Historical and Literary Studies · History · Philosophy

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