Le sacrifice d'Abraham dans quelques représentations de la fin du Moyen Age
Bibliographic Data
| ID | 11867069 |
|---|---|
| Authors | Christiane Raynaud (0000-0001-9707-2526, a Maitre de conférences à l'Université Paul-Valéry, Montpellier III, B.P. 5043, 34032 Montpellier, Cedex 1, France, corresponding author) |
| Year | 1995 |
| Volume | 21 |
| Issue | 3 |
| Pages | 249-273 |
| Publication date | 1995-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Journal of Medieval History (JOURNAL) |
| Journal identifiers | ISSN: 0304-4181 • E-ISSN: 1873-1279 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1016/0304-4181(95)00770-g |
| OpenAlex | W2080247369 |
| Language | FR |
| References cited | 2 |
Abraham's sacrifice. Very early on, this Biblical theme became the subject of a number of representations who did not vary much, having a rich and precocious theology as their base: the sacrifice of Isaac prefiguring that of Christ on the Cross. The anecdotal development is one of the major variants. The dramatization of the scene in miniatures, especially noticeable from the 13th century onward, enriched the stylistic effects. The social changes that took place in medieval western Europe in the 15th and 16th centuries (the place of children, attitudes to death...) provoked a final evolution. The previous embellishments were reorganized to take into account the preoccupations of the day
Art · Dramatization · Humanities · Literature · Sacrifice · Subject (documents · Theme (computing · Theology · Death, Funerary Practices, and Mourning · Historical, Religious, and Philosophical Studies · History · Medieval and Early Modern Justice · Philosophy
| Highly cited | No |
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