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Bare Truths”

Poeticising Poverty, Tyranny and the Quest for Freedom in David Kerr’s Tangled Tongues

Bibliographic Data

ID11867190
AuthorsSyned Mthatiwa (0000-0003-0342-4637, corresponding author)
Year2018
Volume30
Issue1
Pages25-34
Publication date2018-01-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCurrent Writing (JOURNAL)
Journal identifiersISSN: 1013-929X • E-ISSN: 2159-9130
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/1013929x.2018.1439861
OpenAlexW2789314525
LanguageEN
Citations received2
References cited2

David Kerr’s collection of poetry, Tangled Tongues, published in 2003, has not received much critical attention. This is not because he does not tackle critical socio-cultural and political issues relevant to their context, southern Africa, where he is based. The reason why his poetry is undervalued can partly be explained by his status as an outsider, a British expat writing about postcolonial Africa. An analysis of the poetry, however, reveals that it is a valuable achievement, both in relevance and quality. Kerr does not only engage with pressing issues in the region (like well-known local poets), but also does so in a poetic style that shows maturity and great control of his craft

Archaeology · Art · Context (archaeology · Craft · Literature · Maturity (psychological · Poetry · Political science · Politics · Poverty · Relevance (law · Sociology · Style (visual arts · Visual arts · History · Irish and British Studies · Law · Philippine History and Culture

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Unique citing works2
Citations per year0.33
Citation span2020 - 2020 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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