Fiction and Pragmatics in Ancient Greek Lyric
Bibliographic Data
| ID | 11869853 |
|---|---|
| Authors | Giambattista D’Alessio (0000-0002-8714-8774, corresponding author) |
| Year | 2018 |
| Publication date | 2018-04-19 |
| Open Access | No |
| Type | BOOK |
| Venue | Textual Events (SOURCE_BOOK) |
| Publisher | Oxford University Press (PUBLISHER • GB) |
| DOI | 10.1093/oso/9780198805823.003.0002 |
| OpenAlex | W2799667183 |
| ISBN | 9780198805823 |
| Language | EN |
This chapter offers an analysis of the ways in which the language of Sappho’s poems makes use of pragmatic elements that evoke a link to an extratextual world. Through this analysis, the dominant interpretative paradigm is questioned that sees Sappho’s poetry as primarily embedded within a ritual performance context, as well as the alternative reading that explains some of its most salient features as due to strategies enabled by the adoption of writing as a medium of communication. While emphasizing the centrality of performance as a theme and a concern in Sappho’s poems, the chapter shows how the texts often locate themselves outside a proper performative frame, providing a look at ritual from a marginal, personal, and yet powerfully exemplary perspective
Aesthetics · Archaeology · Art · Context (archaeology · Linguistics · Literature · Performative utterance · Perspective (graphical · Poetry · Pragmatics · Reading (process · Salient · Theme (computing · Visual arts · World Wide Web · Classical Antiquity Studies · Computer Science · History · Philosophy
| Highly cited | No |
|---|