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The Making and Meaning of the Bayeux Tapestry Revisited

Bibliographic Data

ID11892437
AuthorsMark Hagger (Bangor University, corresponding author)
Year2024
Volume50
Issue2
Pages214-235
Publication date2024-03-14
Open AccessYes
TypeARTICLE
VenueJournal of Medieval History (JOURNAL)
Journal identifiersISSN: 0304-4181 • E-ISSN: 1873-1279
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/03044181.2024.2324055
OpenAlexW4393192088
LanguageEN

This article revives the suggestion, previously made by Otto Werckmeister and Shirley Ann Brown, that the Bayeux Tapestry was intended to act as part of a petition to free Bishop Odo of Bayeux from imprisonment at the hands of his half-brother, William the Conqueror, and that it was commissioned by the three knights named in it, Turold, Wadard and Vitalis, perhaps with the support of Abbot Scolland of St Augustine's abbey, Canterbury. It argues that the role played by these three knights has been too quickly dismissed, and in so doing asks wider questions including about how political petitions were made and whether any attempt to deny Harold Godwinson a royal title and a reign had been successfully communicated to the population at large

Epistemology · Meaning (existential · Historical Studies of British Isles · History · Medieval Iberian Studies · Medieval Literature and History · Philosophy

Highly citedNo

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