Preaching laughter in the thirteenth century

Historians of medieval laughter have, over the past few decades, imagined the thirteenth century as a period of Christian rapprochement with laughter and humour. Whereas in the twelfth century and before, laughter was largely associated – in art, exegesis, narrative and in preaching – with diabolism and damnation, the consensus is that in the 1200s and beyond Christian culture began deploying and preaching laughter as a positive spiritual expression and strategy. Above all, scholars have identified this shift with the thought and practice of the Dominican Order. This paper enriches this narrative by analysing the neglected exempla collection of the Dominican preacher Arnold of Liège (d. c.1308). Reading Arnold's collection – which harshly forbids laughter – in relief to a number of similar compilations made by Dominicans in the same period, offers an image of how the significance of laughter had become pluralised in mendicant theology by 1300, and of how old ideas of a radically negative laughter persisted in haunting the pulpits and street corners of the thirteenth century

Aesthetics · Art · Laughter · Literature · Narrative · Period (music · Historical Studies and Socio-cultural Analysis · History · Medieval Literature and History · Reformation and Early Modern Christianity

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