Dislocations
The Cinematic Imagining of a New Society in 1950s India
Bibliographic Data
| ID | 11896255 |
|---|---|
| Authors | Ravi Vasudevan (corresponding author) |
| Year | 1994 |
| Volume | 16 |
| Issue | 1 |
| Pages | 93-124 |
| Publication date | 1994-07-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Oxford Literary Review (JOURNAL) |
| Journal identifiers | ISSN: 0305-1498 • E-ISSN: 1757-1634 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/olr.1994.004 |
| OpenAlex | W2054133133 |
| Language | EN |
| Citations received | 9 |
| References cited | 1 |
Analyse de la maniere dont le cinema indien des annees 1950 raconte l'image d'une nouvelle nation, et dont le deracinement social et familial des personnages est mis en scene. Les notions de place et d'espace sont abordees en distinguant la localite de la region et en expliquant les connotations d'une nationalite indienne. L'A. s'interesse aussi a l'absorbtion des points de reference du Bengal et du Punjab dans l'identite indienne repandue par Bombay et aux effets du conflit sectaire de la Partition qui entraine l'exploration d'une crise dans l'identite socio-religieuse
Aesthetics · Art · Sociology · South Asian Cinema and Culture · South Asian Studies and Conflicts · South Asian Studies and Diaspora
Malaysian Cinema, Asian Film
Malaysian Cinema, Asian Film
The Songs of Pyaasa - A Narrative within a Narrative
Metaphorical Resonance
Affective economies of pity, charity, and para-family around disability in Nitin Bose’s Deedar (1951) and Satyen Bose’s Dosti (1964)
Statist Realism And Its Discontents
Introduction — digging deeper
Emboldening and Contesting Gender and Skin Color Stereotypes in the Film Industry in India, 1947–1991
Changing Stories, Changing Lives
| Unique citing works | 9 |
|---|---|
| Citations per year | 0,29 |
| Citation span | 1995 - 2026 (32) |
| Citation velocity | current |
| Highly cited | No |
| Citation types | Neutral: 9 |