Passing the Image
Jacques Derrida Ten Years After
Bibliographic Data
| ID | 11896529 |
|---|---|
| Authors | Dragan Kujundzic (corresponding author) |
| Year | 2014 |
| Volume | 36 |
| Issue | 2 |
| Pages | 230-232 |
| Publication date | 2014-11-26 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Oxford Literary Review (JOURNAL) |
| Journal identifiers | ISSN: 0305-1498 • E-ISSN: 1757-1634 |
| Publisher | Edinburgh University Press (PUBLISHER • GB) |
| DOI | 10.3366/olr.2014.0119 |
| OpenAlex | W2017975002 |
| Language | EN |
In his Athens, Still Remains, a reflection on photography, Jacques Derrida describes something that can be termed the birth of theory out of the prosthetic, tele-techno-mediatic. Out of that which in theory (however not ‘in theory’, but truly in everyday practice), binds a certain sense of finitude with ethics and philosophy. Something we may call prosthethics. The scene of Socrates’ verdict is well known, Plato writes about it in Phaedo, and Derrida retraces it in his book
Art · Epistemology · Literature · Reflection (computer programming · SOCRATES · Verdict · Computer Science · Law · Philosophy · Philosophy, Ethics, and Existentialism
| Highly cited | No |
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