A literary self-portrait of Nikolaos Mesarites
Bibliographic Data
| ID | 11932336 |
|---|---|
| Authors | Beatrice Daskas (Ludwig-Maximilians-Universität München, corresponding author) |
| Year | 2016 |
| Volume | 40 |
| Issue | 1 |
| Pages | 151-169 |
| Publication date | 2016-04-01 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Byzantine and Modern Greek Studies (JOURNAL) |
| Journal identifiers | ISSN: 0307-0131 • E-ISSN: 1749-625X |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/byz.2015.15 |
| OpenAlex | W2586587510 |
| Language | EN |
| Citations received | 1 |
| References cited | 11 |
This contribution is based on a new interpretation of the well-known passage found in the Description of the church of the Holy Apostles at Constantinople by Nikolaos Mesarites (XXVIII, 63.18–64.3 Heisenberg = 910b.[23] Downey), normally dated to the late twelfth century. It provides a reappraisal of the question regarding the Byzantine painter Eulalios and his alleged self-portrait in one of the scenes of the monument's decorative cycle
Apostles · Art · Art history · Byzantine architecture · Interpretation (philosophy · Literature · Painting · Portrait · Archaeology and Historical Studies · Byzantine Studies and History · Classics · Historical and Religious Studies of Rome · Philosophy
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.14 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |