Music, emotion and remembrance

The unveiling of memorials to those who fell in the First World War were highly solemn, dramatic and emotional events. Yet, while much attention has been given by historians to memorials and the purposes behind memorialisation, there has been less discussion of just how the feelings of the public were stimulated and provoked. Most accounts concentrate on the aesthetics and symbolism of the monuments themselves, and the speeches given by the officiating parties and individuals at unveilings. In doing so, however, they miss what was perhaps the most important emotional aspect of these ceremonies: music. This article argues that non-verbal sounds best expressed the raw emotions of the occasions and, in doing so, gave them their power and significance in establishing the mood of the moment and the public’s attachment to the memorials. Examining the major city memorials of Scotland as well as the National Memorial at Edinburgh Castle, it focuses on the significance of the bagpipes and Scotland’s most famous lament, ‘The Flowers of the Forest’, in providing the emotional high points of the ceremonies

Aesthetics · Art · Feeling · Fell · Geography · Lament · Literature · Power (physics · Sociology · Cultural Heritage Management and Preservation · Historical Art and Culture Studies · History · Psychology · Social Psychology

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