Lion of Love
Representations of Russian Homosexuality and Homophobia in Netflix's Eurovision Song Contest: The Story of Fire Saga
Bibliographic Data
| ID | 11966549 |
|---|---|
| Authors | Catherine Baker (0000-0002-3991-7946, corresponding author) |
| Year | 2024 |
| Volume | 50 |
| Issue | 2 |
| Pages | 61-76 |
| Publication date | 2024-05-08 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Historical Reflections/Réflexions Historiques (JOURNAL) |
| Journal identifiers | ISSN: 0315-7997 • E-ISSN: 1939-2419 |
| Publisher | Berghahn Books (PUBLISHER • GB) |
| DOI | 10.3167/hrrh.2024.500205 |
| OpenAlex | W4396721622 |
| Language | EN |
| Citations received | 1 |
Alexander Lemtov, the Russian antagonist of Netflix's 2020 musical comedy Eurovision Song Contest: The Story of Fire Saga , embodies and dramatizes contentions over Russian homophobia, disavowals of homosexuality in Russian entertainment, and the construction of LGBTQ+ equality as a defining value of ‘European’ space which have surrounded the real-life Eurovision Song Contest since the mid-2000s. An assertively-heterosexual sex symbol in public, Lemtov in private exemplifies the trope of the closeted gay entertainer whose performances of machismo allow him to hide his admiration for the male body in plain sight. His depiction could potentially open space for exploring how other queer male Russian entertainers have historically negotiated homophobia but is constrained within a liberal sexual geopolitics that demands further recontextualization following Russia's full-scale invasion of Ukraine
Art · Gender, Feminism, and Media · LGBTQ Health, Identity, and Policy · Soviet and Russian History
| Unique citing works | 1 |
|---|---|
| Citations per year | 1 |
| Citation span | 2025 - 2025 (1) |
| Citation velocity | recent |
| Highly cited | No |
| Citation types | Neutral: 1 |