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Global Television and Film

An Introduction to the Economics of the Business

Bibliographic Data

ID11969342
AuthorsGreg Nielsen, Greg M Nielsen (corresponding author), Colin Hoskins, Stuart McFadyen, Adam Finn (0000-0003-1756-5668)
Year1999
Volume25
Issue2
Pages282-282
Publication date1999-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCanadian Public Policy (JOURNAL)
Journal identifiersISSN: 0317-0861 • E-ISSN: 1911-9917
PublisherJSTOR (PUBLISHER)
DOI10.2307/3551898
OpenAlexW1988047176
LanguageEN
Citations received41

Industry and trade background and trends the volume and composition of trade why does the US dominate trade? film distribution the export pricing of television programmes the rationale for government intervention and implications for assessing trade disputes public policy - support and protection international co-production as a business strategy business issues and strategies new media and new markets

Economics · Cultural Industries and Urban Development · Media Influence and Politics · Merger and Competition Analysis

  • Examining International Country-to-Country Flow of Theatrical Films

    Open Access•Wayne Fu, W Wayne Fu et al.•Journal of Communication•2010

  • US Television Travels Abroad

    Open Access•Ann M Fletchall, Ann Fletchall•Mediated Geographies and…•2015

  • "It's still a white world out there"

    Tom Havens, Timothy Havens•Critical Studies in Mass…•2002

  • Internationalization vs. Globalization of the Film Industry

    Mark Lorenzen•Industry and Innovation•2007

  • On Exhibiting Global Television

    Tom Havens, Timothy J Havens•Journal of Broadcasting &…•2003

  • Flowing Networks in the Entertainment Business

    Klaus-Dieter Altmeppen, Katja Lantzsch et al.•The International Journal on…•2007

  • Why culture attracts and resists economic analysis

    Open Access•Gillian Doyle•Journal of Cultural Economics•2010

  • Concentration and Homogenization of International Movie Sources

    Open Access•Wayne Fu, W Wayne Fu•Journal of Communication•2006

  • Post-Fordism, Monopoly Capitalism, and Hollywood's Media Industrial Complex

    Open Access•Michael Wayne, Mike Wayne•International Journal of Cultural…•2003

  • Audience Appreciation of Nigerian Films (Nollywood)

    Open Access•Oluyinka Esan•Valuing Films•2011

  • Heroes, Villains and Women

    Open Access•Deborah Shaw•Bulletin of Latin American Research•2002

  • Economic and Cultural Influences on the Theatrical Consumption of Foreign Films in Singapore

    Wayne Fu, W Wayne Fu et al.•Journal of Media Economics•2008

  • The genealogy of pan-Asian big pictures and the predicament of the contemporary South Korean film industry

    Sangjoon Lee•Transnational Cinemas•2012

  • Negotiating Distances

    Open Access•Tamar Ashuri•Television & New Media•2009

  • Global Imagination of K-Pop

    K Yoon•Popular Music & Society•2017

  • Hollywood in the world market – evidence from Australia in the mid-1930s

    John Sedgwick, Michael Pokorny et al.•Business History•2014

  • Cultural-Products Industries and Urban Economic Development

    Open Access•Aaron J Scott, Allen J Scott•Urban Affairs Review•2004

  • Refocusing the CBC

    Colin Hoskins, Stuart McFadyen et al.•Canadian Journal of Communication•2001

  • The territorial fix

    Open Access•Brett Christophers•Progress in Human Geography•2014

  • Language Difference and Communication Policy in the Information Age

    Kenton T Wilkinson•The Information Society•2004

  • Television tension

    Open Access•Tamar Ashuri•Media Culture & Society•2007

  • The biggest show in the world

    Open Access•Tom Havens, Timothy Havens•Media Culture & Society•2000

  • A new map of Hollywood

    Aaron J Scott, Allen Scott•Regional Studies•2002

  • Carl Laemmle Presents”

    Open Access•Jeff Fear, Cristina Stanca-Mustea•The Business History Review•2021

  • Emboldening and Contesting Gender and Skin Color Stereotypes in the Film Industry in India, 1947–1991

    Open Access•Sudev Sheth, Geoffrey Jones et al.•The Business History Review•2021

  • Globalization of Japanese culture

    Open Access•D Y Jin•Prometheus•2003

  • Innovation and experience goods

    Open Access•Richard Hawkins, Charles H Davis•Prometheus•2012

  • Critical Events and Reception of Foreign Culture

    Open Access•Yong Volz, Francis Lee et al.•International Communication Gazette•2010

  • Block Booking Migrates to Television

    Open Access•Paul Torre•Television & New Media•2009

  • Cultural Globalization and the Global Spread of English

    An Kuppens, An H Kuppens•Globalizations•2013

  • Clusters, Connectivity and Catch-up

    Mark Lorenzen, Ram Mudambi•Journal of Economic Geography•2012

  • Selling America to the World”? The Rise and Fall of an International Film Distributor in its Largest Foreign Market

    Open Access•Peter Miskell•Enterprise & Society•2006

  • The Market for Films in Postwar Italy

    Open Access•John Sedgwick, Peter Miskell et al.•Enterprise & Society•2018

  • Selling French Films on Foreign Markets

    Open Access•Gerben Bakker•Enterprise & Society•2004

  • What’s the cultural difference between the West and the East? The consumption of popular “cute” games in the Taiwanese market

    Open Access•Lai Chi Chen•New Media & Society•2013

  • The structure of international music flows using network analysis

    Open Access•Shin-Il Moon, G A Barnett et al.•New Media & Society•2010

  • The DVD region code system

    Open Access•Evan Elkins•International Journal of Cultural…•2014

  • Media Capital

    Open Access•Michael Curtin•International Journal of Cultural…•2003

  • Globalization of the Communications Marketplace

    Open Access•Mark Wheeler•Harvard International Journal of…•2000

  • Hollywood and the world

    Aaron J Scott, Allen Scott•Review of International Political…•2004

  • Underpopulation, television economies, and the power of the geographical imagination

    Brett Christophers•Geografiska Annaler Series B…•2007

Unique citing works41
Citations per year1,58
Citation span2000 - 2021 (22)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 40

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