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Globale Horizonte europäischer Kunstmusik, 1860–1930

Bibliographic Data

ID11982005
AuthorsJurgen Osterhammel (Universität Konstanz, Fachbereich Geschichte und Soziologie, Postfach 6, D-78457 Konstanz, corresponding author)
Year2012
Volume38
Issue1
Pages86-132
Publication date2012-12-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueGeschichte und Gesellschaft (JOURNAL)
Journal identifiersISSN: 0340-613X • E-ISSN: 2196-9000
PublisherVandenhoeck & Ruprecht (PUBLISHER • DE)
DOI10.13109/gege.2012.38.1.86
OpenAlexW2082896069
LanguageDE
Citations received12
References cited17

The European tradition of what became known as “classical” music is unique among Western arts because it resisted influences from non-Western civilisations. In the contemporary world, both the European canon of musical masterpieces and the social setting of western musical life have been exported to many different parts of the world with few changes. This tradition of European music-making should not obscure the global contexts in which music evolved, in particular from the mid-nineteenth century onwards. This article outlines several of these contexts, including exoticism, colonial rule, the mobility of musicians, the impact of new reproductive technologies, and the concept of “world music”

Aesthetics · Art · Art history · Classical music · Colonialism · Exoticism · Musical · Social science · Sociology · The arts · Visual arts · Western culture · Western europe · Classical Studies and Philology · Historical and Archaeological Studies · History · Musicology and Musical Analysis

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    Open Access•GILES MASTERS•twentieth-century music•2024

  • Imagined Musical Geographies in a Global Age

    Open Access•Jacob Olley•Royal Musical Association…•2023

  • The Global Tonnetz

    Daniel Walden, Daniel K S Walden•Journal of the American…•2024

  • Music and the Making of Modern Japan

    Open Access•Matthias Mehl, Margaret Mehl•Music and the Making of Modern…•2024

  • L’histoire culturelle des circulations musicales au prisme des Sound Studies

    Jean-Sébastien Noël•Diogène•2019

  • Translating Rousseau Between Venice and Istanbul

    Open Access•Jacob Olley•Journal of the Royal Musical…•2024

  • Cultural Brokers and the Making of Glocal Soundscapes, 1880s to 1930s

    Open Access•Martin Rempe, Claudius Torp•Itinerario•2017

  • Between the Global, the National and the Local in Japan

    Open Access•Matthias Mehl, Margaret Mehl•Itinerario•2017

  • Cultural Brokers in Uniform

    Open Access•Martin Rempe•Itinerario•2017

  • Writing Global History and Its Challenges—A Workshop with Jürgen Osterhammel and Geoffrey Parker

    Open Access•Martine Julia Van Ittersum, Martine van Ittersum et al.•Itinerario•2016

  • Europeans and Americans in Korea, 1882–1910

    Open Access•Klaus R Dittrich, Klaus Dittrich•Itinerario•2016

  • Ecrire l'histoire du la

    Open Access•Fanny Gribenski•Revue d'Anthropologie des…•2019

  • Exoticism

    Ralph P Locke•The new Grove dictionary of music…•2001

  • Islamic Science and the Making of the European Renaissance

    George Saliba•Islamic Science and the Making of…•2007

  • Eight. Consuming the Exotic

    Lawrence Kramer•Classical Music and Postmodern…•1995

  • Modernizing Reforms and Turkish Music in the 1930s

    Open Access•Orhan Tekelioğlu•Turkish Studies•2001

  • Black Athena

    Martin Bernal•Black Athena : The Afroasiatic…•1991

  • Western Music and Its Practitioners in Egypt (ca. 1825-1985)

    Salwa El-Shawan•Asian Music•1985

  • The repertory of a Victorian provincial brass band

    Open Access•Trevor Herbert•Popular Music•1990

  • The Opera Business and the Italian Immigrant Community in Latin America 1820-1930

    John Rosselli•Past & Present•1990

  • Offenbach in Arabien

    Alexander Flores•Die Welt des Islams•2008

Unique citing works12
Citations per year1,2
Citation span2016 - 2024 (9)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 12

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