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Gentile Da Fabriano, St. Nicholas, and an Iconography of Shame

Bibliographic Data

ID12010753
AuthorsMichael D Taylor (0000-0001-7009-3466, Princeton University of Missouri-St. Louis, corresponding author)
Year1982
Volume7
Issue4
Pages321-332
Publication date1982-12-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueJournal of Family History (JOURNAL)
Journal identifiersISSN: 0363-1990 • E-ISSN: 1552-5473
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/036319908200700402
OpenAlexW2056992284
LanguageEN
References cited16

The article concentrates on Gentile da Fabriano's 1425 painting of St. Nicholas Providing Dowries for the Three Daughters. It identifies the activity of one daughter who is undressing her father (removing his shoes and hose) and the gestures of two others, one removing a head-covering and the other undressing, as signs of the social incompetence of the father: he has lost his authority over his family and moral corruption ensues. These iconographical innovations coincide with the establishment of the municipal dowry fund in Florence, where the painting was made. It is argued that the new signs of shame about the inability to provide dowries were part of the intensified discourse on honor and marriage which occurred at this time

Art history · Criminology · Daughter · Dowry · Honor · Iconography · Political science · Shame · Sociology · Byzantine Studies and History · History · Law · Medieval Literature and History · Renaissance and Early Modern Studies

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    Donald Posner•The Art Bulletin•1982

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Citation velocityhistorical
Highly citedNo

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