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Oh my God, that pool party

Shrill and fat femininity in a postfeminist media culture

Bibliographic Data

ID12012009
AuthorsHolly Willson Holladay (0000-0002-7156-9523, Missouri State University, corresponding author)
Year2023
Volume91
Issue2
Pages283-300
Publication date2023-12-13
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCommunication Monographs (JOURNAL)
Journal identifiersISSN: 0363-7751 • E-ISSN: 1479-5787
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/03637751.2023.2287106
OpenAlexW4389702413
LanguageEN
References cited31

The Hulu original comedy Shrill is a communicative text for understanding fat women's subjectivity in line with discourses of neoliberalism and postfeminism. Based on interviews with twenty-five women who watch the series, I argue that Shrill offers an avenue through which audiences reckon with expectations of the female body and celebrate resistance to those expectations; in a media landscape that has routinely erased fat women completely or made their bodies a site of comic relief, Shrill engages with rhetorics of body positivity and self-acceptance. While it pushes back against neoliberal, postfeminist discourses of the disciplined female subject, it simultaneously reifies notions of the "right" kind of fat femininity, one that is marked by class (middle- to upper-class) and race (white)

Aesthetics · Art · Comedy · Comic strip · Comics · Femininity · Literature · Masculinity · Media culture · Media studies · Neoliberalism (international relations · Popular culture · Social science · Sociology · Subjectivity · Gender Studies · Gender, Feminism, and Media · Humor Studies and Applications · Obesity and Health Practices · Philosophy

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Citation velocityhistorical
Highly citedNo

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