Introduction

This is an exciting time for North American Jewish literature. In the past ten years, there has been an explosion of writing by new and established authors. In the field of fiction alone, the shelves have filled with titles by such fine talent as Pearl Abraham, Melvin Jules Bukiet, Michael Chabon, Nathan Englander, Myla Goldberg, Ehud Havatzelet, Dara Horn, Jonathan Safran Foer, Joan Leegant, Tova Mirvis, Jon Papernick, Jonathan Rosen, Aryeh Lev Stollman, and many others, as well as new works by veteran writers such as Allegra Goodman, Thane Rosenbaum, and Steve Stern. Add to these names the preeminent Cynthia Ozick, and don’t forget Philip Roth, whose productivity continues unabated and whose latest novels include some of his strongest work ever. A variety of striking themes has come to the fore in this new wave of literary creativity. Notable trends include an unprecedented attention to religion (especially Orthodox Jewish life); a fascination with women’s lives and with questions of gender and sexual orientation; a concern with the experiences of the second and succeeding generations of the Holocaust; a nostalgia for and rediscovery of the old country; a consideration of new Americans in the 1980s and 1990s; and a rethinking of what it means to be a Jew in Israel and in the Diaspora

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