Une mise en musique de l’urgence et du nihilisme
La naissance du punk hardcore américain
Bibliographic Data
| ID | 12032156 |
|---|---|
| Authors | Sangheon Lee (0009-0004-9353-9124, Université Gustave Eiffel, corresponding author) |
| Year | 2024 |
| Volume | 180 |
| Issue | 3 |
| Pages | 105-122 |
| Publication date | 2024-09-20 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Revue française d’études américaines (JOURNAL) |
| Journal identifiers | ISSN: 0397-7870 • E-ISSN: 1776-3061 |
| Publisher | Éditions Belin (PUBLISHER • FR) |
| DOI | 10.3917/rfea.180.0105 |
| OpenAlex | W4402685327 |
| Language | FR |
| Citations received | 1 |
American hardcore punk emerged in a particular context, that of American society in the 1970s and 1980s. Based on the two key concepts of urgency and nihilism, a meticulous musical analysis allows identifying several specific temporal devices which, within a consciously and skillfully altered musical structure, articulate social expression musically, to such an extent that music seems to be its very embodiment, namely reality made music
Art · Humanities · Canadian Identity and History · Cultural Insights and Digital Impacts · Literature and Culture Studies
| Citations per year | 0.5 |
|---|---|
| Citation span | 2024 - 2024 (1) |
| Highly cited | No |