Nature, Music and the Reformation in England
Bibliographic Data
| ID | 12032878 |
|---|---|
| Authors | Jonathan Willis (0000-0001-8581-3366, University of Warwick, corresponding author) |
| Year | 2010 |
| Volume | 46 |
| Pages | 184-193 |
| Publication date | 2010-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Studies in Church History (BOOK_SERIES) |
| Journal identifiers | ISSN: 0424-2084 • E-ISSN: 2059-0644 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0424208400000589 |
| OpenAlex | W2334583421 |
| Language | EN |
| References cited | 10 |
The story of music in the Elizabethan Church is, in many ways, an embodiment of the relationship between two larger, competing and often contradictory discourses: those of Renaissance and Reformation. As Alexandra Walsham noted in the introduction to Providence in Early Modern England , published in 1999, there is a growing conviction that too much ink has been spilt arguing about the pace, geography and social distribution of conversion and change and too little charting the ways in which the populace adjusted to the doctrinal and ecclesiastical revolution as a permanent fact.’
Art · Art history · Conviction · Geography · Literature · Pace · Political science · The Renaissance · Classics · Early Modern Women Writers · Financial Crisis of the 21st Century · History · Law · Reformation and Early Modern Christianity
| Highly cited | No |
|---|