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No Milkless Cow’

The Cross of Christ in Medieval Irish Literature

Bibliographic Data

ID12032995
AuthorsSalvador Ryan (0000-0003-1196-7594, St Patrick's College, corresponding author)
Year2012
Volume48
Pages83-106
Publication date2012-01-01
Peer ReviewedYes
Open AccessYes
TypeARTICLE
VenueStudies in Church History (BOOK_SERIES)
Journal identifiersISSN: 0424-2084 • E-ISSN: 2059-0644
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s042420840000125x
OpenAlexW2322198547
LanguageEN
References cited2

The cross of Christ in the Middle Ages was the most powerful symbol of God’s victory over sin, death and the forces of evil, while also representing the most abject suffering and degradation of Jesus Christ, the God-Man. A simplistic reading of the evolution of the theology of the cross during this period posits a transition from the early medieval victorious and heroic Christ figure, reigning and triumphant upon the cross, to a late medieval emaciated and tortured object of pity whose ignominious death was supposed to elicit heartfelt compassion for his plight and sincere sorrow for the sin which placed him on the beams of the tree of crucifixion. Of course, there is a great deal of value in this argument, and much evidence might be brought forward to support its central thesis. However, it should not be pushed too far; it might also be remembered that the essential paradox of Christ the victor-victim is a constant theme in Christian theology, expressed in the sixth-century Vexilla regis in its identification of the cross as ‘victim of the passion’s glory, by which life brought death to an end, and, by death, gave life again’ and in the hymn Victimae paschali laudes from the central medieval period: ‘Death with life contended, combat strangely ended, life’s own champion slain yet lives to reign’. The image of the victorious cross of Christ, conceived of as simultaneously an instrument of triumph and of torture, would persist right through the late medieval period, despite the development of a greater emphasis on the physical sufferings of Christ in his passion and their ever more graphic depictions. This essay, which examines the way in which the cross of Christ is presented in medieval Irish literature, provides sufficient examples to make this point clear; these are drawn from a variety of sources including religious verse, saints’ lives, medieval travel accounts and sermon material. Of course, these examples are best viewed within the context of a broader medieval European devotional culture from which Ireland was certainly not immune

Ancient history · Art · Contemplation · Glory · Hymn · Literature · Middle Ages · Passion · Theology · Historical Studies of British Isles · History · Medieval Literature and History · Philosophy · Religious Studies and Spiritual Practices

  • Two Middle-Irish Religious Anecdotes

    Vernam E Hull, Vernam Hull•Speculum•1928

Citation velocityhistorical
Highly citedNo

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Open DOISci-Hub
Ethnos_APP • Open Source Project • MIT License • Frontend v2.0.0 • Privacy and Cookies • API Documentation: api.ethnos.app/docs • API Source Code: GitHub • DOI: 10.5281/zenodo.17049435 • Frontend Source Code: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae