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The Truth about Constantine

History, Hagiography and Confusion

Bibliographic Data

ID12033684
AuthorsDiana M Webb, Diana Webb (Universidad de Londres, corresponding author)
Year1981
Volume17
Pages85-102
Publication date1981-01-01
Open AccessNo
TypeARTICLE
VenueStudies in Church History (BOOK_SERIES)
Journal identifiersISSN: 0424-2084 • E-ISSN: 2059-0644
PublisherCambridge University Press (CUP) (PUBLISHER)
DOI10.1017/s0424208400010287
OpenAlexW2326711727
LanguageEN
References cited2

In about 1380 the choir of the Franciscan church of Florence, Santa Croce, was decorated by Agnolo Gaddi with scenes illustrating the legend of the Holy Cross. The emperor Constantine does not appear in these frescoes, although it was understood that it was his conversion that had moved his mother Helena to undertake her archaeological expedition to the Holy Land to discover the whereabouts of the Cross. It is, nevertheless, his unseen presence that links Gaddi’s cycle to the frescoes of the life and miracles of Saint Silvester, painted by Maso di Banco in the nearby Bardi di Vernio chapel a generation earlier. Here the emperor, afflicted with leprosy, recoils from the advice of his pagan priests that he should bathe in the blood of innocent children and is advised by the apostles Peter and Paul in a dream that to obtain a remedy he must send for the persecuted pope Silvester. Silvester shows Constantine portraits of the apostles, thus authenticating his vision, and cleanses him of his leprosy by baptism. The remaining frescoes illustrate miracles of the saint, notably his quelling of a dragon that had been terrorising Rome and his resuscitation of two magicians who had been overcome by it

Ancient history · Apostles · Art · Art history · Baptism · Chapel · Confusion · Emperor · Fresco · Legend · Literature · Miracle · Painting · Portrait · SAINT · Theology · Unison · Byzantine Studies and History · Historical and Religious Studies of Rome · History · Philosophy · Psychology · Renaissance and Early Modern Studies

  • The Treatise of Lorenzo Valla on the Donation of Constantine

    Ronald K Delph•Sixteenth Century Journal•1995

  • A Project for a New Edition of Vincent of Beauvais

    B L Ullman•Speculum•1933

Highly citedNo

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