Reenactment

Tournaments, Chronicles and Visual History

Bibliographic Data

ID12044565
AuthorsCornelia Logemann (Ludwig-Maximilians-Universität München, corresponding author)
Year2019
Volume57
Issue1
Pages31-48
Publication date2019-01-02
Open AccessNo
TypeARTICLE
VenueIran (JOURNAL)
Journal identifiersISSN: 0578-6967 • E-ISSN: 2396-9202
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/05786967.2019.1578536
OpenAlexW2913659576
LanguageEN
Citations received1
References cited33

In the illustration of chronicle texts in the Western Middle Ages, the question often arises of how the reading of a manuscript changes when illuminations influence the reader’s perception. For in addition to a direct connection to the surrounding text in a manuscript, images also form their own reference system. Recurring pictorial formulas are therefore not only due to the serial production of illuminated manuscripts, but are also addressed to the imagination of the viewer. Tournament images, especially, show how a visual topos can open completely new references and form a new visual history. In addition to a few historical sources, tournaments were extensively described, especially in courtly literature, and the visual surface and splendour of these events in the Arthurian world seemed to fascinate audiences on all levels. Even in late medieval French chronicles like those of Jean Froissart, images and imaginings of tournaments turn out to be a window onto a mythical ideal past. The ideal chivalric virtues are invoked in these pictures, in which the cultural practice of the late Middle Ages on the one hand and different genres on the other overlap

Ancient history · Art · Epistemology · Ideal (ethics · Linguistics · Literature · Middle Ages · Reading (process · Topos theory · Tournament · Visual arts · Window (computing · Computer Science · History · Libraries, Manuscripts, and Books · Mathematics · Medieval Literature and History · Philosophy

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