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Swift Creek paddle designs and the imperative to be unique

Bibliographic Data

ID12064360
AuthorsKaren Y Smith (0000-0001-6224-9993, University of South Carolina, corresponding author), Vernon James Knight (0000-0003-0791-000X, University of Alabama)
Year2016
Volume36
Issue2
Pages122-130
Publication date2016-11-16
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueSoutheastern Archaeology (JOURNAL)
Journal identifiersISSN: 0734-578X • E-ISSN: 2168-4723
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/0734578x.2016.1246342
OpenAlexW2553480495
LanguageEN
Citations received7
References cited19

The emergence of the Swift Creek style tradition represents a shift from two or three simple carved paddle designs to many thousands of unique paddle designs by middle Swift Creek then back to merely a few in late and post Swift Creek times. This explosion in designs is a striking phenomenon, in need of consideration. Increased design diversity implicates a rise in creativity, verging on an imperative to be unique, where none previously existed in this medium. In this paper, we offer a revised model of Swift Creek social dynamics by reference to the new-found creativity of paddle makers situated within the context of ethnographic case studies

Archaeology · Context (archaeology · Creativity · Paddle · Situated · Swift · Archaeology and Rock Art Studies · Computer Science · Cultural Heritage Management and Preservation · History · Psychology · Social Psychology · Spatial Cognition and Navigation

  • Swift Creek iconography? Depiction, pareidolia, and design names

    Open Access•Vernon James Knight•Southeastern Archaeology•2026

  • Investigating domestic economy and mobility at a Woodland period ceremonial center in Northwest Florida, USA, using Neutron Activation Analysis

    Open Access•Martin Menz, Neill J Wallis et al.•Journal of Archaeological Science…•2025

  • The case for a Late Lamar polity on the lower Ocmulgee River in Georgia

    Dennis B Blanton, Rachel Hensler et al.•Southeastern Archaeology•2021

  • Swift Creek at a human scale

    Thomas J Pluckhahn, Neill J Wallis•Southeastern Archaeology•2017

  • Using chaîne opératoire and communities of practice to identify interaction in the Contact and Mission periods in southern Georgia, AD 1540–1715

    Rachel Hensler•Southeastern Archaeology•2020

  • The spatial dimension of the woodland period

    Karen Y Smith, KEITH STEPHENSON•Southeastern Archaeology•2017

  • Where Worlds Collide

    Open Access•C Trevor Duke, David M Markus et al.•American Antiquity•2024

  • The Individual in prehistory

    James N Hill, Joel Gunn•The Individual in prehistory•1977

  • The Thompson Indians of British Columbia

    James Alexander Teit•The Thompson Indians of British…•1900

  • The Pueblo Potter

    Ruth L Bunzel•Pueblo Potter•1929

  • The double-curve motive in northeastern Algonkian art

    Open Access•Frank G Speck•1914

  • Craft and the Kingly Ideal

    Mary W Helms•Craft and the Kingly Ideal•1993

  • Ethnic and Tourist Arts

    Nelson H H Graburn•Ethnic and Tourist Arts•1976

  • Chapter 13. The Brahmin Painters of Nathdwara, Rajasthan

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  • Identifying Mimbres Artists

    Open Access•Will Russell, M Hegmon•Advances in Archaeological Practice•2015

  • Style in Swift Creek Paddle Art

    Karen Y Smith, Vernon James Knight•Southeastern Archaeology•2012

  • Core Elements and Layout Classes in Swift Creek Paddle Art

    Karen Y Smith, Vernon James Knight•Southeastern Archaeology•2014

  • The double-curve motive in northeastern Algonkian art

    F G Speck•1914

  • Ceramic Development in the South Appalachian Province

    William Sears, William H Sears•American Antiquity•1952

  • Caribbean Influence in the Prehistoric Art of Southern States

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Unique citing works7
Citations per year0,78
Citation span2017 - 2026 (10)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 7

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