Pleyel as Music Publisher
A documentary sourcebook of early 19th-century music
Bibliographic Data
| ID | 12118121 |
|---|---|
| Authors | Jamie C Kassler (corresponding author) |
| Year | 1993 |
| Volume | 16 |
| Issue | 1 |
| Pages | 63-64 |
| Publication date | 1993-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Musicology Australia (JOURNAL) |
| Journal identifiers | ISSN: 0814-5857 • E-ISSN: 1949-453X |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/08145857.1993.10415226 |
| OpenAlex | W2016735588 |
| Language | EN |
In Australia the history of the music trades is an underdeveloped area of research, one that is almost completely ignored by musicologists.1 Because of the way Australia was settled, the principal historical background derives chiefly, but not solely, from the British Isles, where, in 1859, Bennet Woodcroft, an engineer and patent agent, produced a series of abridgments of patent specifications that included one on printing 1617-1857 and another on music inventions of various kinds, including some relating to the music trades. These abridgments are invaluable reference tools, even today
Art · Literature · Music education · Music history · Music theory · Musical · Musicology · Principal (computer security · Visual arts · Computer Science · Diverse Musicological Studies · History
| Highly cited | No |
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