Music and feminisms
Bibliographic Data
| ID | 12118199 |
|---|---|
| Authors | Eva Rieger (0000-0002-9218-7620, corresponding author) |
| Year | 1999 |
| Volume | 22 |
| Issue | 1 |
| Pages | 73-74 |
| Publication date | 1999-01-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Musicology Australia (JOURNAL) |
| Journal identifiers | ISSN: 0814-5857 • E-ISSN: 1949-453X |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/08145857.1999.10416566 |
| OpenAlex | W1987794477 |
| Language | EN |
This pertinent and provocative collection of essays is the outcome of two conferences, the first held at Artspace in 1996, and Resonances, held in conjunction with the 1997 Australian Women's Festival. Of course, music as an active force of cultural formation has to do with gender, and feminist music scholarship was sparked off in the Western world in the 1980s. The papers in this collection show a diversity of approaches, objectives, and methods. The editors do not argue for the silencing of any of those voices, but rather ask us to consider how they do or might resonate with one another
Conjunction (astronomy · Diversity (politics · Media studies · Political science · Scholarship · Sociology · Anthropology · Diverse Musicological Studies · Gender Studies · History · Law · Music History and Culture
| Highly cited | No |
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