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The Conquest Considered in Pablo Neruda's Canto general

Bibliographic Data

ID12145261
AuthorsSteven L Driever (University of Missouri–Kansas City, corresponding author)
Year1992
Volume13
Issue1
Pages69-83
Publication date1992-09-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Cultural Geography (JOURNAL)
Journal identifiersISSN: 0887-3631 • E-ISSN: 1940-6320
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/08873639209478401
OpenAlexW2055674032
LanguageEN

The Canto general is a book containing a large collection of poems by Pablo Neruda that shows the intricate relationships among nature, places, and peoples in the Americas. The third section in the book, “Los conquistadores,” has heretofore received scant critical attention. Its warp is Neruda's depictions of nature, Indians, and the conquistadors. “Los conquistadores” is shown to be much more than a reiteration of the Black Legend, which presents the Spanish conquest and settlement of the Americas in an entirely negative manner. Neruda's vision of a new people bonded to nature for nourishment and united in a collective will is discussed, and the role of the Conquest toward that end is explained

Ancient history · Archaeology · Art · Canto · Colonialism · CONQUEST · Ethnology · Legend · Literature · Poetry · Section (typography · Settlement (finance · Animal and Plant Science Education · History · Language, Metaphor, and Cognition · Plant and Biological Electrophysiology Studies

Citation velocityhistorical
Highly citedNo

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