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Rethinking the living museum concept “from below”

Bibliographic Data

ID12145372
AuthorsHamzah Muzaini (0000-0002-5634-5783, National University of Singapore, corresponding author)
Year2020
Volume38
Issue1
Pages81-101
Publication date2020-08-15
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueJournal of Cultural Geography (JOURNAL)
Journal identifiersISSN: 0887-3631 • E-ISSN: 1940-6320
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/08873631.2020.1800320
OpenAlexW3049759720
LanguageEN
Citations received3
References cited20

This paper examines the living museum from the points of view of museum workers, those responsible for breathing life into what is essentially an ethnological heritage site. Drawing specifically on the Sarawak Cultural Village in East Malaysia, it first considers the living museum as the formal product of intentional framing, shaping, and choreographing to achieve tourism and nation-building mandates. At the same time, however, performers may construct the living museum differently “from below”, with implications for what they do on site, some unaligned with how the site is fashioned “from above”. In doing so, the paper reveals the representational “work” and cultural politics of the living museum where both official and unofficial practices interweave, each activating the “living” component of the museum in their own ways. It also restores agency to tourism employees rather than treating them as passive actors realizing the goals of management, or as mere objects of the tourists’ gaze

Geography · Cultural Heritage Management and Preservation · Cultural Industries and Urban Development · History · Museums and Cultural Heritage

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Unique citing works3
Citations per year0.75
Citation span2022 - 2026 (5)
Citation velocitycurrent
Highly citedNo
Citation typesNeutral: 3

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