Headaches or Headless
Who Is Poet Enough
Bibliographic Data
| ID | 12148195 |
|---|---|
| Authors | Teri Stratton (corresponding author) |
| Year | 1992 |
| Volume | 7 |
| Issue | 2 |
| Pages | 109-119 |
| Publication date | 1992-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Hypatia (JOURNAL) |
| Journal identifiers | ISSN: 0887-5367 • E-ISSN: 1527-2001 |
| Publisher | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1111/j.1527-2001.1992.tb00888.x |
| OpenAlex | W1982505480 |
| Language | EN |
| References cited | 6 |
Psychoanalysis has long cited poetry as the expressive vehicle for unconscious production. This article addresses the sexual politics of psychoanalyses conjoining of poetry and the “feminine.” The argument of this text is that the coupling of the “feminine” and the poetic in Lacanian discourse is a metaphorical double cross which most often leaves “woman” at a loss for words
Argument (complex analysis · Art · Literature · Poetry · Psychoanalysis · Unconscious mind · Contemporary Literature and Criticism · Medicine · Philosophy · Poetry Analysis and Criticism · Psychoanalysis, Philosophy, and Politics · Psychology
| Highly cited | No |
|---|