Washington Allston’s Christ Healing the Sick
Disability, history painting, and narrative time
Bibliographic Data
| ID | 12154039 |
|---|---|
| Authors | Nicholas Junkerman (0000-0002-3478-4064, Skidmore College, corresponding author) |
| Year | 2020 |
| Volume | 42 |
| Issue | 3 |
| Pages | 313-334 |
| Publication date | 2020-04-17 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Nineteenth Century Contexts (JOURNAL) |
| Journal identifiers | ISSN: 0890-5495 • E-ISSN: 1477-2663 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/08905495.2020.1755189 |
| OpenAlex | W3016645840 |
| Language | EN |
| References cited | 21 |
In 1813, the American artist Washington Allston was living in London. He was, at this point, still early in a career that would win him fame, and even preeminence, among painters in the young repub
Art · Art history · Literature · Narrative · Painting · Visual arts · Historical Art and Culture Studies · Historical Studies and Socio-cultural Analysis · Historical Studies on Reproduction, Gender, Health, and Societal Changes · History · Medicine · Gerontology
Disability Aesthetics
Benjamin West's "Death of General Wolfe" and the Popular History Piece
Washington Allston
Washington Allston
History Painting Redistanced
Fantasies of identification
The Correspondence of Washington Allston
Millennial Desire and the Apocalyptic Vision of Washington Allston
Ain’t One Limb Enough?” Historicizing Disability in the American Novel
Reading in Detail
| Citation velocity | historical |
|---|---|
| Highly cited | No |