Spectral realities”
Little Dorrit , stereoscopy, and non-mimetic realism
Bibliographic Data
| ID | 12154148 |
|---|---|
| Authors | Jayda Coons (Honors College, The University of Tennessee, Chattanooga, TN, USA, corresponding author) |
| Year | 2019 |
| Volume | 42 |
| Issue | 1 |
| Pages | 17-31 |
| Publication date | 2019-11-19 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Nineteenth Century Contexts (JOURNAL) |
| Journal identifiers | ISSN: 0890-5495 • E-ISSN: 1477-2663 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/08905495.2019.1686935 |
| OpenAlex | W2990327335 |
| Language | EN |
| References cited | 15 |
Little Dorrit opens with an urban scene brimming with eyes but devoid of people, as Charles Dickens presents the novel’s pervasive staring trope: Everything in Marseilles, and about Marseilles, had
Aesthetics · Epistemology · Realism · Stereoscopy · Cinema and Media Studies · Computer Science · History · Philosophy · Shakespeare, Adaptation, and Literary Criticism · Walter Benjamin Studies Compilation · Artificial Intelligence
| Highly cited | No |
|---|