Behind the Pictures
An Interview with Joanne Leonard
Bibliographic Data
| ID | 12179682 |
|---|---|
| Authors | Sidonie Smith (corresponding author), Ricia Anne Chansky (0000-0002-0321-7016) |
| Year | 2014 |
| Volume | 29 |
| Issue | 1 |
| Pages | 11-25 |
| Publication date | 2014-01-02 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | a/b Auto/Biography Studies (JOURNAL) |
| Journal identifiers | ISSN: 0898-9575 • E-ISSN: 2151-7290 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/08989575.2014.921761 |
| OpenAlex | W2267538866 |
| Language | EN |
| Citations received | 1 |
| References cited | 3 |
In this edited interview, feminist visual artist Joanne Leonard contemplates her works of art as interruptions of linear chronology that reform temporality to reflect more accurately the intersection of memories. The interview, conducted by Sidonie Smith, further explores the duality and relationality present in Leonard's photography, photo collages, and visual-verbal works, as well as in her autobiographical book Being in Pictures: An Intimate Photo Memoir
Art · Art history · Cartography · Duality (order theory · Epistemology · Intersection (aeronautics · Interview · Memoir · Photo elicitation · Photography · Sociology · Temporality · Visual arts · Art, Politics, and Modernism · Autobiographical and Biographical Writing · Philosophy · Photography and Visual Culture · Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,13 |
| Citation span | 2018 - 2018 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |