Bakhtin and the actor (with constant reference to Shakespeare)
Datos Bibliográficos
| ID | 12190814 |
|---|---|
| Autores | Charles Emerson (0009-0005-2182-2323, Princeton University, autor de correspondencia) |
| Año | 2015 |
| Volumen | 67 |
| Número | 3-4 |
| Páginas | 183-207 |
| Fecha de publicación | 2015-07-02 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Studies in East European Thought (JOURNAL) |
| Identificadores de la revista | ISSN: 0925-9392 • E-ISSN: 1573-0948 |
| Editorial | Springer Nature (PUBLISHER • SG) |
| DOI | 10.1007/s11212-015-9238-1 |
| OpenAlex | W1084559914 |
| Idioma | EN |
| Citas recibidas | 2 |
| Referencias citadas | 23 |
Aesthetics · Art · Comedy · Dialogic · Epistemology · Gesture · Improvisation · Linguistics · Literature · Perspective (graphical · Repetition (rhetorical device · Seriousness · Sociology · Tragedy (event · Visual arts · Philosophy · Philosophy, Ethics, and Existentialism · Russian Literature and Bakhtin Studies · Theatre and Performance Studies
Critical Theory and Performance
Comedy, Seriously
Art and Answerability
Problems of Dostoevsky's Poetics
Performance Studies
Great Reckonings in Little Rooms
Problemy poètiki Dostoevskogo
Carnival and Other Christian Festivals
Intersubjectivities and Popular Culture
Role Playing and Identity
Stanislavsky in Focus
Toward a Phenomenological Model of the Actor's Embodied Modes of Experience
| Obras citantes distintas | 2 |
|---|---|
| Citas por año | 0,29 |
| Intervalo de citas | 2019 - 2023 (5) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 2 |