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Dialogic catharsis in standup comedy

Stewart Huff plays a bigot

Bibliographic Data

ID12196859
AuthorsSusan Seizer (Indiana University, corresponding author)
Year2017
Volume30
Issue2
Pages211-237
Publication date2017-03-09
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueHumor - International Journal of Humor Research (JOURNAL)
Journal identifiersISSN: 0933-1719 • E-ISSN: 1613-3722
PublisherDe Gruyter Mouton (PUBLISHER • DE)
DOI10.1515/humor-2016-0026
OpenAlexW2591760046
LanguageEN
Citations received2
References cited12

This essay investigates the cathartic creative process of a standup comic who recounts, in a video-taped interview with the author, the act of transforming a painful meeting with a bigot in a bar into the stuff of comedy. Through reflexive engagement with his own creative process, Stewart Huff recounts building a scenario that splits his experience into two voices, enacting a breakthrough into performance within the taped interview itself. Taking to heart Bakhtin’s insight that parody involves a hostile relation between the speaker and another, and that introducing someone else’s words into our own speech results in a double-voiced narrative, I analyze Huff’s performance as a classic example of double-voiced parody. The transformation from horror to humor is an empowering performative re-creation for the comedian that serves simultaneously as humorous recreation for the comedy club audience. This essay contributes to extant scholarship on the efficacious use of parodic double-voicing and the possibilities it opens up for dialogic catharsis in comedic performance

Aesthetics · Arcadia · Art · Catharsis · Comedy · Comics · Dialogic · Lament · Literature · Narrative · Political science · Scholarship · Sociology · Subtext · Visual arts · Humor Studies and Applications · Language, Metaphor, and Cognition · Law · Psychology · Russian Literature and Bakhtin Studies

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  • Cultivating Participation and the Varieties of Reflexivity in Stand-Up Comedy

    Open Access•Antti Lindfors•Journal of Linguistic Anthropology•2019

  • An essay on the meaning of the comic.

    Henri Bergson, Cloudesley Brereton et al.•1911

  • Breakthrough Into Performance

    Dell Hymes•Folklore•1975

  • The Affect Theory Reader

    Melissa Gregg, Gregory J Seigworth•The affect theory reader•2010

  • Some performative techniques of stand-up comedy

    Open Access•Douglas J Glick•Language & Communication•2007

  • On the Uses of Obscenity in Live Stand-Up Comedy

    Susan Seizer•Anthropological Quarterly•2011

  • The Ambiguity of Play

    Elizabeth Wein•Journal of American Folklore•2000

  • Footing

    Open Access•Erving Goffman•Semiotica•1979

Unique citing works2
Citations per year0,29
Citation span2019 - 2025 (7)
Citation velocityrecent
Highly citedNo
Citation typesNeutral: 2

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