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Metaphors for the Mediterranean

Creolization or Polyphony

Bibliographic Data

ID12215935
AuthorsThierry Fabre (corresponding author)
Year2002
Volume17
Issue1
Pages15-24
Publication date2002-06-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueMediterranean Historical Review (JOURNAL)
Journal identifiersISSN: 0951-8967 • E-ISSN: 1743-940X
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/714004596
OpenAlexW2139446090
LanguageEN
Citations received1

This article explores Edouard Glissant's notion of 'creolization' as a metaphor for the Mediterranean world, comparing the Mediterranean with the West Indies in this regard. Creolization, a process of adaptation to the whole world, does not help us to understand the play of identity in the contemporary Mediterranean world, for here genealogy and transcendence remain central. The notion of polyphony, in which the voices come together without melding, is examined as a possible alternative. Given the current political, cultural, and religious conflict and the constant confusion between the proper and the pure, however, polyphony seems less an appropriate metaphor than a promise

Aesthetics · Art · Confusion · Contextualization · Creolization · Ethnology · Identity (music · Interpretation (philosophy · Linguistics · Literature · Metaphor · Polyphony · Caribbean and African Literature and Culture · Hispanic-African Historical Relations · History · Language, Linguistics, Cultural Analysis · Philosophy · Psychology

  • Mediterranean heritage

    Open Access•David Lowenthal•Nations and Nationalism•2008

Unique citing works1
Citations per year0.06
Citation span2008 - 2008 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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