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Resurrecting’ Ancient Bodies

The Tragic Chorus in Prometheus Bound and Suppliant Women at the Delphic Festivals in 1927 and 1930

Bibliographic Data

ID12220144
AuthorsAntonis Glytzouris (University of Crete, corresponding author)
Year2010
Volume27
Issue12
Pages2090-2120
Publication date2010-08-01
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThe International Journal of the History of Sport (JOURNAL)
Journal identifiersISSN: 0952-3367 • E-ISSN: 1743-9035
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/09523367.2010.495225
OpenAlexW2008078170
LanguageEN
Citations received2
References cited12

This essay aims at a systematic investigation of theatre performances of Prometheus Bound and Suppliant Women at the Delphic Festivals (1927, 1930) with particular reference to the art of dance. It attempts to analyse the artistic and ideological content of the tragic chorus such as conceived and implemented by Eva Palmer-Sikelianos. The article initially attempts to analyse her theoretical concerns and then attempts a detailed presentation of the Delphic performances. The revival of the tragic dance acquired an aura of ‘resurrection’, in the sense that it embodied a basic ideological component: the forging of Modern Greek identity upon alleged hereditary relations of ‘affinity’ between the ancient Greece and the Modern Greek folk culture. In order to illuminate this objective, the essay also examines: (a) similar approaches attempted in the Modern Greek stage from the end of the nineteenth century, (b) the Neo-Romantic roots of the initiative and (c) instances of American lovers of ancient and traditional Greece in the first quarter of the twentieth century

Aesthetics · Art · Chorus · Dance · Ideology · Literature · Politics · Romance · Classics · Diversity and Impact of Dance · Historical Gender and Feminism Studies · History · Law · Sports, Gender, and Society

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Unique citing works2
Citations per year0,4
Citation span2021 - 2023 (3)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 2

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