Pou Rewa
The Liquid Post, Maori Go Digital
Bibliographic Data
| ID | 12224238 |
|---|---|
| Authors | Maree Mills (corresponding author) |
| Year | 2009 |
| Volume | 23 |
| Issue | 3 |
| Pages | 241-250 |
| Publication date | 2009-05-01 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Third Text (JOURNAL) |
| Journal identifiers | ISSN: 0952-8822 • E-ISSN: 1475-5297 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09528820902954879 |
| OpenAlex | W2086235897 |
| Language | EN |
| Citations received | 3 |
Art that uses non‐traditional media and emerging technologies, specifically the electronic or digital, has the potential to create and nurture a distinctive public space for the articulation of alternative Maori world‐views. Although a growing number of publications focus on contemporary Maori art practice, no specific attention has yet been given to the swelling numbers of Maori practitioners operating in the field of digital media. This essay contextualises the author’s research in the wider framework of Maori digital art and seeks to explain a Maori creative practice
Aesthetics · Art · Articulation (sociology · Digital media · Field (mathematics · Media studies · Nature versus nurture · Political science · Politics · Sociology · Space (punctuation) · Visual arts · Anthropology · Artistic and Creative Research · Computer Science · Cultural Industries and Urban Development · Law · Museums and Cultural Heritage
| Citations per year | 0.19 |
|---|---|
| Citation span | 2010 - 2025 (16) |
| Highly cited | No |