Reframing the black subject ideology and fantasy in contemporary South African representation
Dados Bibliográficos
| ID | 12224291 |
|---|---|
| Autores | Okwui Enwezor (autor correspondente) |
| Ano | 1997 |
| Volume | 11 |
| Fascículo | 40 |
| Páginas | 21-40 |
| Data de publicação | 1997-09-01 |
| Peer Reviewed | Sim |
| Open Access | Não |
| Tipo | ARTICLE |
| Periódico | Third Text (JOURNAL) |
| Identificadores do periódico | ISSN: 0952-8822 • E-ISSN: 1475-5297 |
| Editora | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09528829708576684 |
| OpenAlex | W1982671404 |
| Idioma | EN |
| Citações recebidas | 29 |
| Referências citadas | 9 |
(1997). Reframing the black subject ideology and fantasy in contemporary South African representation. Third Text: Vol. 11, No. 40, pp. 21-40
Aesthetics · Art · Cognitive reframing · Fantasy · Ideology · Literature · Political science · Politics · Representation (politics · Sociology · Subject (documents · African cultural and philosophical studies · African history and culture studies · Computer Science · Gender Studies · Law · Psychology · Social Psychology · South African History and Culture
Comfortable contradictions
Seeing Blackness through Black Expressive Culture
Kimlik ve Temsilin Yeniden İnşası
Santu Mofokeng’s The Black Photo Album / Look at Me
Dismissals for Social Media Hate Speech in South Africa
‘Yo Dumbfucks!’
“Some White Women (Are Not Like That)”. Affective Gestures in Post-Apartheid Visual Art from South Africa
Colonial Imaginary, Tropes of Disruption
Exiting whiteness
Beyond the Ethnographic Turn
Cartografías de la nación sudafricana
Geographies of the Black African Masculine in Tsotsi and The Wooden Camera
Santu Mofokeng
A deadly explosive on her tongue
Being called to ‘By the Rivers of Birminam’
Addressing a Difficult History
Displacing and deflecting otherness
The address of the other
A postcolonial reading of mural art in South Africa
The Dam Wall Broke”
Art from the Archive
Embodying the Other as Self in Johan Thom's exhibition Exorcismseries
Oppositional positions
The 1995 and 1997 Johannesburg Biennales as a ‘reflection’ of contemporary South African art
Deconstructing the racialised gaze
From animism to Afrofuturism
Alternative Books in black and white
Collections create connections
Curating as World-Making - An Art on Our Mind Creative Dialogue
| Obras citantes distintas | 29 |
|---|---|
| Citações por ano | 1,04 |
| Intervalo de citações | 1998 - 2026 (29) |
| Velocidade de citação | current |
| Altamente citado | Não |
| Tipos de citação | Neutras: 28 |