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Shooting the Ambulance

Debt, Depression and Human Strike in the Art of Claire Fontaine

Bibliographic Data

ID12224489
AuthorsMikkel Krause Frantzen (0000-0003-2492-5473, Arts and Humanities Research Council, corresponding author)
Year2020
Volume34
Issue3
Pages393-414
Publication date2020-05-03
Open AccessNo
TypeARTICLE
VenueThird Text (JOURNAL)
Journal identifiersISSN: 0952-8822 • E-ISSN: 1475-5297
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/09528822.2020.1805911
OpenAlexW3083707937
LanguageEN

In October 2016, the Fiscal Monitor of the IMF issued a report which stated that the global debt ‘is currently at an all-time high’. Both before and after the crisis of 2007–2008, the levels of debt have simply exploded. No wonder, then, that a lot of contemporary artists have responded to this unprecedented historical situation. In this article, I focus on the artist duo Claire Fontaine, through three key concepts: debt, depression, strike. First, I analyse the ways in which the artist intervenes in the disastrous debt situation in the southern part of the Euro zone. Second, I argue that Claire Fontaine is concerned with the psychopathological consequences of the debt economy, in particular with the political problem of depression. Last, I show how the work of Claire Fontaine anatomises depression not only as a passive symptom, but also a paradoxical form of active resistance to the neoliberal debt regime, ie as a human strike

Debt · Debt crisis · Depression (economics · Economic history · Economics · Great Depression · Keynesian economics · Political economy · Political science · Politics · Resistance (ecology · Sociology · Student debt · Wonder · Art History and Market Analysis · Cultural Industries and Urban Development · History · Law · Political and Economic history of UK and US · Psychology · Social Psychology · Finance

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