The Revolution, Vanguard Artists and Mural Painting
Bibliographic Data
| ID | 12225673 |
|---|---|
| Authors | Letícia López Orozco (Scope Group (United States), corresponding author) |
| Year | 2014 |
| Volume | 28 |
| Issue | 3 |
| Pages | 256-268 |
| Publication date | 2014-05-04 |
| Peer Reviewed | Yes |
| Open Access | No |
| Type | ARTICLE |
| Venue | Third Text (JOURNAL) |
| Journal identifiers | ISSN: 0952-8822 • E-ISSN: 1475-5297 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09528822.2014.935566 |
| OpenAlex | W1981409479 |
| Language | EN |
| Citations received | 1 |
This article examines the development of Mexican art after the Mexican Revolution. This text identifies and investigates historical figures, vanguard art movements and artists who have contributed to the development of Mexican art in general and Mexican Muralism in particular. By considering how the Mexican civil war enabled the convergence of interests of both the state and artists and examining developments in vanguard Mexican art of the twentieth century, the author invites rethinking about whether mural painting was or was not official or state art
Ancient history · Art · Art history · Contemporary art · Modern art · Mural · Painting · Performance art · State (computer science · Vanguard · Visual arts · Art, Politics, and Modernism · History · Photographic and Visual Arts
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.2 |
| Citation span | 2021 - 2021 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |