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Toward a Materialist Photography

The Body of Work

Bibliographic Data

ID12225720
AuthorsLee Mackinnon (0000-0002-1448-497X, University of Michigan, corresponding author)
Year2016
Volume30
Issue3-4
Pages149-158
Publication date2016-07-03
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueThird Text (JOURNAL)
Journal identifiersISSN: 0952-8822 • E-ISSN: 1475-5297
PublisherRoutledge (PUBLISHER • GB)
DOI10.1080/09528822.2017.1290899
OpenAlexW2593914935
LanguageEN
Citations received1

This article moves toward a materialist photography in response to a recent photographic exhibition by Giles Duley. Duley's work is made under the auspices of a ‘humanitarian project’, a notion problematised by its display in the context of the art gallery, and by the photograph as the final product in a process that is also the property of the photographer. I use this work as a starting point for moving photographic discourse beyond consideration of the final image and author to explore the materiality of the photographic apparatus and its event. Key to this task is the work of Ariella Azoulay (2015) and Judith Butler (2010) who have approached photography as, respectively, an event and as extended materiality. It also borrows on some definitions of matter and materiality from Karen Barad (2012). Barad moves the question of materiality into a field of political interaction, taking account of all participatory elements

Aesthetics · Archaeology · Art · Art history · Citizen journalism · Context (archaeology · Epistemology · Event (particle physics · Exhibition · Materialism · Materiality (auditing · Photography · Sociology · Visual arts · Computer Science · Geographies of human-animal interactions · History · Philosophy · Photography and Visual Culture · Visual Culture and Art Theory

  • Darkroom Material

    Open Access•Lily Cho•Postmodern Culture•2018

Unique citing works1
Citations per year0.13
Citation span2018 - 2018 (1)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 1

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