The DCMS Committee’s inquiry on the economics of music streaming and its implications for artists
Bibliographic Data
| ID | 12235459 |
|---|---|
| Authors | Andrew White (0000-0002-0793-0142, Oxford Brookes University, corresponding author) |
| Year | 2022 |
| Volume | 32 |
| Issue | 3 |
| Pages | 325-339 |
| Publication date | 2022-12-15 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Cultural Trends (JOURNAL) |
| Journal identifiers | ISSN: 0954-8963 • E-ISSN: 1469-3690 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/09548963.2022.2156267 |
| OpenAlex | W4311745879 |
| Language | EN |
| Citations received | 1 |
| References cited | 12 |
This paper analyses the Department of Digital, Culture, Media & Sport committee's inquiry into the economics of music streaming. The scrutiny of the committee's oral and written evidence, and final report is placed within the context of the music industry's significance to UK cultural policy since the late 1990s. The perspectives of the UK's musicians and song-writers are a focal point of the analysis of the inquiry's published documentation, as they are when discussing the committee's recommendations released in July 2021
Context (archaeology · Documentation · Library science · Media studies · Point (geometry · Political science · Public relations · Scrutiny · Sociology · Computer Science · Cultural Industries and Urban Development · History · Law · Music History and Culture
Doing Cultural Studies The Story Of The Sony Walkman
Popular Music in a Digital Music Economy
Reformatted
‘Let's keep music special. F—Spotify’
Streaming Culture
Is music streaming bad for musicians? Problems of evidence and argument
In its own image
Vanderbilt Journal of Transnational Law
Platform capitalism
| Citations per year | 1 |
|---|---|
| Citation span | 2026 - 2026 (1) |
| Highly cited | No |