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Creative Britain”

Myth or monument

Bibliographic Data

ID12236083
AuthorsRobert Hewison (City, University of London, corresponding author)
Year2011
Volume20
Issue3-4
Pages235-242
Publication date2011-11-02
Peer ReviewedYes
Open AccessNo
TypeARTICLE
VenueCultural Trends (JOURNAL)
Journal identifiersISSN: 0954-8963 • E-ISSN: 1469-3690
PublisherTaylor & Francis (PUBLISHER • GB)
DOI10.1080/09548963.2011.589703
OpenAlexW1988916695
LanguageEN
Citations received10
References cited4

This paper is based on a keynote address for the 2010 Cultural Trends Conference “A Golden Age?”. It explores the rhetoric of “creativity” that dominated the New Labour government's cultural policy discourse, and argues that while the promotion of the creative industries and of the economic contribution of culture strengthened the hand of the Department for Culture, Media and Sport (DCMS) in attracting resources, there was a price to pay, in the form of auditing, that proved ultimately hostile to creativity. With its main focus on the English region, the paper reviews New Labour's institutional reforms and substantial investment in the cultural infrastructure, but argues that the competing claims of “access” and “excellence” remained unresolved, while policymakers failed to respond to the rapid technological developments in “unofficial” culture

Art · Creative industries · Creativity · Cultural policy · Excellence · Government (linguistics · Investment (military · Literature · Mythology · Political science · Promotion (chess · Rhetoric · Sociology · Cultural Industries and Urban Development · Irish and British Studies · Law · Scottish History and National Identity

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Unique citing works10
Citations per year0.83
Citation span2014 - 2023 (10)
Citation velocityhistorical
Highly citedNo
Citation typesNeutral: 9

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