The Lights of the Electric Octopus Have Been Switched Off’
Visual and Political Culture in Edwardian London
Bibliographic Data
| ID | 12239291 |
|---|---|
| Authors | James Thompson (0000-0002-3219-2655, University of Bristol, corresponding author) |
| Year | 2017 |
| Volume | 29 |
| Issue | 3 |
| Pages | 331-356 |
| Publication date | 2017-11-14 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | Twentieth Century British History (JOURNAL) |
| Journal identifiers | ISSN: 0955-2359 • E-ISSN: 1477-4674 |
| Publisher | Oxford University Press (OUP) (PUBLISHER) |
| DOI | 10.1093/tcbh/hwx062 |
| PMID | 29244188 |
| OpenAlex | W2771830762 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
This article reconstructs the visual culture of politics in Edwardian London through a study of the 1907 London County Council election. It moves beyond the memorable account given in Graham Wallas's Human Nature in Politics to examine the actors, especially associations and newspapers, that participated in the election. Drawing upon newspapers, election addresses, cartoon, leaflets, and posters, the article argues that Edwardian London was a prime site in the application of new media for political communication. It shows, however, that new modes of communication could co-exist with, and intensify, established forms of public politics. It reveals a highly knowing visual culture of politics through which issues of authenticity and identity were contested, and recasts understanding of a controversial and critical election
Aesthetics · Art · Identity (music · Media studies · Newspaper · Political culture · Political science · Politics · Sociology · Historical Studies on Reproduction, Gender, Health, and Societal Changes · Political and Economic history of UK and US · Social and Cultural Dynamics · Law
| Unique citing works | 1 |
|---|---|
| Citations per year | 0,14 |
| Citation span | 2019 - 2019 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |