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Disappearing bodies

The workplace and documentary film in an era of pure money

Bibliographic Data

ID12244358
AuthorsSarah Waters (0000-0002-0949-126X, University of Leeds, corresponding author)
Year2015
Volume26
Issue3
Pages289-301
Publication date2015-08-01
Open AccessYes
TypeARTICLE
VenueFrench Cultural Studies (JOURNAL)
Journal identifiersISSN: 0957-1558 • E-ISSN: 1740-2352
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/0957155815587247
OpenAlexW2275763695
LanguageEN
Citations received1
References cited9

This article examines recent documentary films that have sought to narrate, record and criticise the effects on the French workplace of a shift to a new model of finance capitalism driven by ‘pure’ money. The films give representation to subjective experiences in the workplace showing how abstract economics is played out at the most intimate, personal and material level. The films seem to challenge dominant representations of finance capitalism as an order that has emancipated workers from the physical and disciplinary constraints of industrialism. The workers in these films describe the transition to a new economic order in terms of an intensification of corporeal pain. We see an economic order that pits an infinite accumulation of virtual money against the finite productive capacities of the human body

Aesthetics · Art · Capitalism · Discipline · Economics · Industrial Revolution · Order (exchange · Political science · Representation (politics · Social science · Sociology · Cultural Industries and Urban Development · Law · Management and Organizational Studies · Political and Economic history of UK and US · Finance

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Citations per year1
Citation span2025 - 2025 (1)
Highly citedNo

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