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Purifying Proust

Transfiction, heterotopia, and the reimagining of homosexuality in contemporary Chinese reception

Bibliographic Data

ID12244539
AuthorsYangjie Zhao (0009-0002-4351-3319, École Normale Supérieure - PSL, corresponding author)
Year2025
Volume37
Issue1
Pages140-154
Publication date2025-09-24
Open AccessYes
TypeARTICLE
VenueFrench Cultural Studies (JOURNAL)
Journal identifiersISSN: 0957-1558 • E-ISSN: 1740-2352
PublisherSAGE Publishing (PUBLISHER • US)
DOI10.1177/09571558251379316
OpenAlexW4414471991
LanguageEN
References cited8

This article examines two contemporary Chinese short stories by Yan Bin (阿尔贝蒂娜的呼唤 “The Call of Albertine” [2021] and 夏吕斯的爱情 “The Love of Charlus” [2024]) that reimagine the homosexual characters in Marcel Proust's À la recherche du temps perdu . Drawing on Gérard Genette's hypertext theory and Richard Saint-Gelais's concept of transfictionality, the analysis reveals how these rewritings invert Proust's original depictions of Albertine and Charlus by stripping them of their homosexuality. The countryside emerges as a Foucauldian heterotopia that promises “moral purity,” counteracting the perceived decadence of urban modernity. This transformation resonates with a broader conservative turn in contemporary Chinese society, reflecting shifting moral paradigms and a renewed emphasis on patriarchal values. The article illustrates how foreign literary classics can be adapted—or moralized—through creative reception, resulting in a new vision of Proust shaped by Confucian influences and heteronormative frameworks

Decadence · Heteronormativity · Heterotopia (medicine · Homosexuality · Reception theory · Romance · Crime and Detective Fiction Studies · French Literature and Critical Theory · French Literature and Criticism

  • Out of Context

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  • Chinese Civilization

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  • Modernist Literature

    Mary Ann Gillies, Aurelea Denise Mahood et al.•Modernist Literature•2007

  • From the Soil

    Xiaotong Fei•From the Soil•1992

  • Of Other Spaces

    Michel Foucault, Jay Miskowiec•diacritics•1986

Highly citedNo

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