Chanson as Oral Poetry? Paul Zumthor and the Analysis of Performance
Bibliographic Data
| ID | 12244701 |
|---|---|
| Authors | Adeline Cordier (University of Stirling, corresponding author) |
| Year | 2009 |
| Volume | 20 |
| Issue | 4 |
| Pages | 403-418 |
| Publication date | 2009-10-09 |
| Peer Reviewed | Yes |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | French Cultural Studies (JOURNAL) |
| Journal identifiers | ISSN: 0957-1558 • E-ISSN: 1740-2352 |
| Publisher | SAGE Publishing (PUBLISHER • US) |
| DOI | 10.1177/0957155809343744 |
| OpenAlex | W2147722406 |
| Language | EN |
| Citations received | 1 |
| References cited | 2 |
Medievalist Paul Zumthor, in his study of oral poetry, has identified the specificities of oral texts and analysed their inherently social function. By applying Zumthor’s theories to the chanson genre, this article aims to question the traditional distinction between poetry and song by supporting instead the distinction between oral and written poetry, in order to highlight the importance of the oral and physical dimension of song. Through the analysis of the orality of chanson, this study investigates the nature of the connection established between an artist and an audience during a performance, and argues that this connection is not only an integral part of the song, in the same way that music and lyrics are, but also contains the social significance of chanson and its authors
Art · Humanities · Literature · Lyrics · Oral poetry · Orality · Poetry · Social function · French Literature and Poetry · Historical and Literary Studies · Musicology and Musical Analysis · Psychology
| Unique citing works | 1 |
|---|---|
| Citations per year | 0.25 |
| Citation span | 2022 - 2022 (1) |
| Citation velocity | historical |
| Highly cited | No |
| Citation types | Neutral: 1 |