Mercenaries at the movies
Representations of soldiers of fortune in Mexico and the Congo in American and European cinema
Bibliographic Data
| ID | 12258381 |
|---|---|
| Authors | Paul B Rich (Small Wars and Insurgencies, corresponding author) |
| Year | 2022 |
| Volume | 33 |
| Issue | 1-2 |
| Pages | 224-249 |
| Publication date | 2022-01-30 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Small Wars and Insurgencies (JOURNAL) |
| Journal identifiers | ISSN: 0959-2318 • E-ISSN: 1743-9558 |
| Publisher | Routledge (PUBLISHER • GB) |
| DOI | 10.1080/09592318.2022.2029027 |
| OpenAlex | W4210252506 |
| Language | EN |
| Citations received | 2 |
| References cited | 23 |
This paper examines cinematic representations of mercenaries from the era of silent movies to the 1980s. It argues that cinema has been selective in the choice of historical periods to depict mercenaries and soldiers of fortune, ignoring for the most part the centuries of European state building in which mercenaries played a significant role. Most mercenary films are anchored in the near present and the paper focuses on Mexico and the Congo as terrains of political breakdown and external intervention. Since the 1950s, a range of films depict mercenaries in these terrains seeking money, adventure, and the thrills of killing, and the paper examines mercenary movies through the character structures of hero, anti-hero and villain. These three structures have shaped the portrayal of mercenaries in westerns and war movies as well as action and sci fi movies, where they have become hardened in the last two decades into range of stock stereotypes
Adventure · American film · Art · Art history · HERO · Literature · Media studies · Movie theater · Political science · Politics · Sociology · State (computer science · Computer Science · Global Security and Public Health · History · Law · Military History and Strategy · World Wars: History, Literature, and Impact
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| Citations per year | 1 |
|---|---|
| Citation span | 2024 - 2025 (2) |
| Highly cited | No |