Balzac and Violence
Representing History, Space, Sexuality and Death in La Comédie humaine
Bibliographic Data
| ID | 12279667 |
|---|---|
| Authors | Scott Lee (0000-0003-4584-6758, University of Prince Edward Island, corresponding author) |
| Year | 2012 |
| Volume | 20 |
| Issue | 4 |
| Pages | 512-513 |
| Publication date | 2012-09-04 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Modern & Contemporary France (JOURNAL) |
| Journal identifiers | ISSN: 0963-9489 • E-ISSN: 1469-9869 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/09639489.2012.718176 |
| OpenAlex | W2031450999 |
| Language | EN |
Owen Heathcote, Bern, Peter Lang, 2009, 288 pp, £41.00, 3 03910 551 9 For any critic attempting a global analysis of an œuvre as vast and as complex as Balzac's La Comedie humaine, the task is sure
Art · Art history · Human sexuality · Humanities · Sociology · Task (project management · Engineering · French Literature and Criticism · Gender Studies · Literature and Culture Studies · Philosophy
| Highly cited | No |
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