Modernity’s ear
Listening to race and gender in world music
Bibliographic Data
| ID | 12291850 |
|---|---|
| Authors | Tyler Sonnichsen (The University of Tennessee, Knoxville, TN, USA, corresponding author) |
| Year | 2017 |
| Volume | 24 |
| Issue | 6 |
| Pages | 912-914 |
| Publication date | 2017-01-12 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Gender Place & Culture (JOURNAL) |
| Journal identifiers | ISSN: 0966-369X • E-ISSN: 1360-0524 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/0966369x.2016.1275112 |
| OpenAlex | W2579791653 |
| Language | EN |
Roshanak Kheshti’s new book, Modernity’s Ear: Listening to Race and Gender in World Music, takes an angle to a less familiar concept that, while hardly self-explanatory, lends itself very well to a
Active listening · Aesthetics · Art · Epistemology · Modernity · Race (biology · Sociology · Asian Culture and Media Studies · Communication · Gender Studies · Music History and Culture · Philosophy · Psychology
| Highly cited | No |
|---|