Samuel Beckett, repetition and modern music
Bibliographic Data
| ID | 12303569 |
|---|---|
| Authors | Michael Palmese (0000-0001-7806-1979, Louisiana State University, corresponding author) |
| Year | 2018 |
| Volume | 26 |
| Issue | 4 |
| Pages | 593-594 |
| Publication date | 2018-09-12 |
| Open Access | No |
| Type | ARTICLE |
| Venue | Irish Studies Review (JOURNAL) |
| Journal identifiers | ISSN: 0967-0882 • E-ISSN: 1469-9303 |
| Publisher | Taylor & Francis (PUBLISHER • GB) |
| DOI | 10.1080/09670882.2018.1520788 |
| OpenAlex | W2889843936 |
| Language | EN |
| Citations received | 1 |
Examining Beckett’s relationship to music, and the impact it had upon his aesthetics, is a growing area of interest. John McGrath’s Samuel Beckett, Repetition and Modern Music is the newest scholar
Aesthetics · Art · Linguistics · Literature · Repetition (rhetorical device · Kierkegaardian Philosophy and Influence · Philosophy · Philosophy, Ethics, and Existentialism · Samuel Beckett and Modernism
| Citations per year | 0.25 |
|---|---|
| Citation span | 2022 - 2022 (1) |
| Highly cited | No |