Toward a Theory of Visual Anthropology
Bibliographic Data
| ID | 12320765 |
|---|---|
| Authors | Baidyanath Saraswati (Indra Gandhi National Centre for the Arts , Janpath, New Delhi 110 001, India, corresponding author) |
| Year | 1999 |
| Volume | 1 |
| Issue | 1 |
| Pages | 19-24 |
| Publication date | 1999-01-01 |
| Open Access | Yes |
| Type | ARTICLE |
| Venue | The Anthropologist (JOURNAL) |
| Journal identifiers | ISSN: 0972-0073 • E-ISSN: 2456-6802 |
| Publisher | Kamla Raj Enterprises (PUBLISHER) |
| DOI | 10.1080/09720073.1999.11890570 |
| OpenAlex | W2769801194 |
| Language | EN |
The present paper discusses the scope of visual representation in anthropology. It has been observed that the use of film and video has increased in the recent years as compared to the past, which is likely to overthrow the classic technique of participant observation. To bring itself to this position, anthropology has to move away from mechanistic documentary to a radiant domain of creative art rich with sparks of meta-physical insights. For a visual anthropologist the realization of man’s performance in the great drama of nature would beimmensely liberating. If these facts are realized the facts of human life and culture would become far simpler to model
Aesthetics · Art · Drama · Epistemology · Ethnography · Political science · Realization (probability · Representation (politics · Scope (computer science · Sociology · Visual anthropology · Visual arts · Anthropology · Computer Science · Cultural Heritage Management and Preservation · Philosophy
| Highly cited | No |
|---|